Kanta|VÀestâ (Original Population) 순수|인ꡬ
2014
236 Archival pigment prints
diptych
100 x 127.3 cm each

This diptych sculpture (total 236 individually cut out passport-photographs) respond to the idea behind the positivist use of photography in 19th century criminological and eugenic studies. The work is not intended to mimic the composite pictures (famously produced by Francis Galton), which were meant to create one portrait out of various superimposed images. Our sculptures, on the other hand, are formed out of endless small fragments and so borrow the appearance of GaltonΒ΄s endeavor, while emphasizing the impossibility of it.

κΉνƒ€λ² μ—μŠ€ν‡΄ Kanta|VΓ€estΓΆ (ν•€λž€λ“œμ–΄λ‘œ β€˜μˆœμˆ˜μΈκ΅¬β€™λ₯Ό λœ»ν•¨)λŠ” 총 236μž₯의 μ—¬κΆŒμ‚¬μ§„μ„ κ·œκ²©λΉ„μœ¨μ— 따라 νŽΈμ§‘, μž¬κ΅¬μ„±λœ 두폭 μž¬λ‹¨ν™”(Diptych) ν˜•μ‹μ˜ μ‘°ν˜•λ¬Όμž…λ‹ˆλ‹€. 이 μž‘μ—…μ€ 19μ„ΈκΈ°μ˜ λ²”μ£„ν•™μ—μ„œ 널리 ν†΅μš©λ˜λ˜ μš°μƒν•™μ„ μ‹€μ¦μ μœΌλ‘œ λ’·λ°›μΉ¨ν•˜κΈ°μœ„ν•΄ 사진이 이용된 역사적 사싀을 λ°”νƒ•μœΌλ‘œ, 신뢄증λͺ…μ˜ 초기 역사에 λŒ€ν•œ μ ˆλŒ€μ  ꢌλ ₯을 ν™˜κΈ°μ‹œν‚€κ³  μ—¬κΆŒμ‚¬μ§„μ΄λΌλŠ” νŠΉμˆ˜ν•œ μ‚¬μ§„μ˜ ν˜•μ‹μ΄ κ°–λŠ” 타당성에 μ§ˆλ¬Έμ„ λ˜μ§‘λ‹ˆλ‹€. λ˜ν•œ 이 μž‘μ—…μ€ ν”„λž€μ‹œμŠ€ κ°ˆν†€μ— μ˜ν•΄ 처음 λ§Œλ“€μ–΄μ§„ ꡬ성사진(Composite pictures)μ—μ„œ 평균적 μ΄ˆμƒμ‚¬μ§„μ„ λŒμ–΄λ‚΄λ €ν–ˆλ˜ 사진기법을 λ’€ν‹€μ–΄ μ „ν˜€ 평균적이 될 수 μ—†λŠ” 사진을 λ§Œλ“€μ—ˆμŠ΅λ‹ˆλ‹€.

236μž₯의 μ΄ˆμƒμ‚¬μ§„μ„ μ œμž‘ν•˜κΈ° μœ„ν•΄ μš°λ¦¬λŠ” ν—¬μ‹±ν‚€ μ€‘μ•™μ—­μ—μ„œ 두 달간 무료둜 μ—¬κΆŒμ‚¬μ§„μ„ μ‹œλ―Όλ“€μ—κ²Œ μ œκ³΅ν•˜κ³  κ·Έ λŒ€μ‹  개개인의 μ΄ˆμƒμ—μ„œ 3mm μ •λ„μ˜ 이미지λ₯Ό μ‚¬μš©ν•˜λŠ”λ° λ™μ˜λ₯Ό μ–»μ—ˆμŠ΅λ‹ˆλ‹€. μ΄λŸ¬ν•œ 사진 μ΄λ―Έμ§€μ˜ 포괄적인 μˆ˜μ§‘κ³Ό μž¬λ°°μ—΄μ€ μ–΄λ–€ 평균적인 이미지λ₯Ό μ•„μ΄λŸ¬λ‹ˆν•˜κ²Œλ„ λΆ€μ •ν•˜κ²Œλ©λ‹ˆλ‹€. 우리의 ν”„λ‘œμ νŠΈμ—μ„œ κ°€μž₯ 쀑심이 λ˜λŠ” 뢀뢄은 λ°”λ‘œ μ΄λŸ¬ν•œ 신뢄증λͺ…μ΄λΌλŠ” μ‹œμŠ€ν…œμ΄ κ°–λŠ” 단일화에 λŒ€ν•œ μ˜κ΅¬μ‹¬μž…λ‹ˆλ‹€.


 
 
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